As you may have read in my first post, a contributing reason of how I got into photography was through the disappointment in the quality of pictures we all took with point-and-shoot cameras in the pub. All the photos were crap and I really hate that daylight balanced flash to illuminate the subjects and that really dark background.
I didn’t get a flash gun when I purchased my Canon 40D in early November 2007. But I did get a 580EX II sometime later in 2008.
Working with flash is more challenging than you expect when you know nothing about flash. Shooting in a pub environment was one thing I wanted to get right. It took me quite a while to settle on a reliable formula (through trial and error)…
So… here it is… ISO 800, F5.6 (go smaller for groups like F8), 1/20 sec to 1/50 sec depending on the time of day and how much ambient background you want in the frame. Cloudy white balance to warm up the subjects (assuming the pub is filled with lots of warm colours). Bounce flash on-camera pointing towards the ceiling. Adjust the Flash Exposure Value (FEV) depending on how low or high the ceiling is. Be careful of the colour of the ceiling as the flash light may reflect the colour of it. If there is no suitable ceiling, use a wall (preferably white) to bounce the flash light off… below are a few examples…

Another of the same girl, except my buddy Graham is holding a flash gun with an optical slave hotshoe behind the singer. You can see the effect of the 2nd light source... same setting as the previous shot.
Me loves it 🙂
will go and give it a try to keep “G” company one night
x
Interesting – I would never have thought of using such a low shutter speed in this scenario, but I guess the flash effectively ‘freezes’ the subject, so avoiding any motion blur? Must have a play with that …
One of the key things I didn’t mention in the main post was using 2nd curtain flash. This causes the flash to fire just before the shutter closes and freeze frames the area light by the flash. This is not always necessary though… depends on the situation.
[…] About the only aspect to in-door lighting I had done (a while back) was this pub shooting guide (link). Virtually all of my lighting was on-location outdoors. To help me focus on in-door lighting, I […]