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Archive for the ‘Flash’ Category

Day 5 started off with waking up very early! Just what I needed!! Not!

Barry suggested we head into Melbourne and go to a community festival. As it turned out, this was a big deal because a famous Australian cricketer, Merv Hughes (link) would be there. We got there with our cameras and Barry had brought the big guns! His 400mm F2.8 Canon lens. This lens is huge!!! Trust me when I tell you that everybody gets out of the way when this massive lens walks with you! So cool…

There was some Bollywood Indian dancing, food, bag pipes, dance music, etc… around the festival.

Here are some images from the festival…

Merv Hughes before he played a fun game of cricket with the community.

Merv Hughes before he played a fun game of cricket with the community.

All my shots were crap. Shooting action shots is quite challenging. This was the best of the bunch. Merv Hughes about to catch the ball...

Shooting action shots is quite challenging. This was the best of the bunch. Merv Hughes about to catch the ball...

Hmm.. is this a confused Merv Hughes? Nah... ;-)

Hmm.. is this a confused Merv Hughes? Nah... πŸ˜‰

Barry with his 400mm F2.8 Canon lens!

Barry with his 400mm F2.8 Canon lens!

I love this frame because in the UK, it is now troublesome to photograph police officers. When I saw this view, I very quickly took the photo as it has police officers and a very big lens!! Obviously, its fine to photograph police officers in Australia as I wasn't arrested! ;-),

I love this frame because in the UK, it is now troublesome to photograph police officers. When I saw this view, I very quickly took the photo as it has police officers and a very big lens!! Obviously, its fine to photograph police officers in Australia as I wasn't arrested! ;-),

Indian Bollywood dancing...

Indian Bollywood dancing...

Indian Bollywood dancing...

Indian Bollywood dancing...

Indian Bollywood dancing...

Indian Bollywood dancing...

Indian Bollywood dancing... Photo by Barry Johnston.

Indian Bollywood dancing... Photo by Barry Johnston. Taken on a Canon EOS 1D Mark II N with a 400mm F2.8 lens.

Bag pipe band practicing.

Bag pipe band practicing.

Bag pipe band practicing.

Bag pipe band practicing.

After a very active shooting session, we headed back into down town Melbourne for something to eat (with a well deserved beer).

Barry and I having lunch...

Barry and I having lunch...

After the pasta lunch, we headed over to 2 locations to shoot with flash. First up was a car park right opposite some of the large sky scrapers of Melbourne. We set up our gear and took a few frames.

Barry with the Melbourne sky scrapers.

Barry with the Melbourne sky scrapers.

Yes.. its a photo of me... :-) Photo by Barry Johnston.

Yes.. its a photo of me... πŸ™‚ Photo by Barry Johnston.

Another more colourful photo of Barry.

Another more colourful photo of Barry.

All the above city shots were taken with Barry’s camera with a wide angle lens (16-35mm F2.8 L). Oh man… I really need one of these!!! My widest focal length is 24mm on a 1.6x cropped sensor which makes it around 38mm. 38mm is simply not wide enough for shots like this. Dam I need one!!!

We then headed over to some graffiti and only had time for a single setup. I’m sure we’ll go back there as there’s loads of other shots to be had. Barry asked a lady if she would pose for us and she happily accepted. Excellent as it makes much more interesting pictures than just Barry or I. Actually, there were about 3 or 4 wedding shoots at the same location.

Location photo 1

Location photo 1. Photo by Barry Johnston.

Location photo 2. Photo by Barry Johnston.

Location photo 2. Photo by Barry Johnston.

Yip... its me again... Photo by Barry Johnston.

Yip... its me again... Photo by Barry Johnston.

We got home and I was very tired! I had been up since 2:30am and by 8pm, I was finished. Time for sleep…

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Me and my buddy Graham grabbed our cameras one night to go experimenting with colour temperature. Seeing some of Damien Lovegrove’s results (link), we thought we’d do our own version…

We setup an umbrella to bounce the flash across the whole scene. Another flash gelled up to colour correct the subject. And a third flash to add Β a kick light (also gelled up).

This was the scene with just the main bounce flash in the umbrella to hand grenade the area with light. You can see why we need a kick light on the right side of the image.

This was the scene with just the main bounce flash in the umbrella to hand grenade the area with light. You can see why we need a kick light on the right side of the image.

This was the final image when we added all 3 flashes.

This was the final image when we added all 3 flashes.

We set the camera to a tungsten white balance, main flash in the umbrella, 2nd flash gelled with a CTO gel, 3rd flash with a yellow gel. We did have quite a few problems in getting all flashes to trigger reliably. So I guess we’ll have to get the new TTL Pocket Wizards and go on another Lovegrove workshop πŸ™‚ If your interested in knowing more about colour temperature, you can search for it on Google or you can read a Lovegrove article (link).

Changed the position of the third flash and took the scene from another perspective.

Changed the position of the third flash and took the scene from another perspective.

Here are some of the other frames we took at the location.

Aperture Priority mode, ISO 800, 24mm, +1EV, 1/30 sec, F4. Taken on a monopod.

Aperture Priority mode, ISO 800, 24mm, +1EV, 1/30 sec, F4. Taken on a monopod.

Aperture Priority mode, ISO 800, 80mm, +1EV, 1/30 sec, F4. Taken on a monopod.

Aperture Priority mode, ISO 800, 80mm, +1EV, 1/30 sec, F4. Taken on a monopod.

Manual mode, ISO 200, 24mm, 1/60 sec, F5.6. Used a shoot through umbrella with flash.

Manual mode, ISO 200, 24mm, 1/60 sec, F5.6. Used a shoot through umbrella with flash.

Manual mode, ISO 200, 28mm, 1/60 sec, F5.6. Shoot through umbrella with flash.

Manual mode, ISO 200, 28mm, 1/60 sec, F5.6. Shoot through umbrella with flash.

Obviously, all of Graham’s images contain me as the model!

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One of the problems I’ve encountered in post-production with my images is imagining how they can look unique? I want some of them to be different, but give a familiarity and look that provides an alternative to the actual scene in real life. My earlier attempts in post-production were pretty basic and it remained so for a long time. Slight adjustments to exposure, brightness, contrast, colour, etc… My main problem was that I couldn’t imagine how the photograph could even look different? I guess I was conditioned by the scene when taking the photo, then further conditioned when chimping on the image on the back of the camera, and again conditioned when I saw the image on the computer. I had seen the scene and image so many times, I couldn’t possibly imagine how else the image could look?

So as a tool to help me imagine things differently, I used Lightroom presets. Lightroom comes with a few presets, but I needed much more serious help in looking at these images differently. Initially I used a whole bunch of presets by Matt Kloskowski (link). This helped a lot until I found the Wonderland Presets (link).

I have been using the Wonderland presets as a tool to help me gain a new perspective. I don’t always use these presets in the final image, but from time to time, I stick with a look that I think works. If I do use a preset, I use the preset as a basis to build on and I make further adjustments to get to the image I want.

However, after being on Damien Lovegrove’s session with his picture editor, Marko (link), I’ve gained a whole new perspective on post-production and I’ll be using the Wonderland presets less and less. Amongst the many things I gained from Marko, colour accuracy (or at least believable colour) in skin tones is highly important. This may seem obvious… but seeing the way that Marko works was a technique I’d not come across before. Using presets like the Wonderland series does mess with the colours of skin tones which is why I will be adopting Marko’s approach more and more…

Okay… lets go through the images…

Wonderland: Creative Catalyst 08, ISO 200, 32mm, 1/250 sec, F7.1.

Wonderland: Creative Catalyst 08, ISO 200, 32mm, 1/250 sec, F7.1.

Wonderland: Creative Catalyst 19, ISO 200, 28mm, 1/200 sec, F18.

Wonderland: Creative Catalyst 19, ISO 200, 28mm, 1/200 sec, F18.

Matt Kloskowski’s Sin City - Light Red Preset: ISO 200, 35mm, 1/200 sec, F18.

Matt Kloskowski’s Sin City - Light Red Preset: ISO 200, 35mm, 1/200 sec, F18.

Wonderland: Creative Catalyst 09, ISO 200, 45mm, 1/200 sec, F18.

Wonderland: Creative Catalyst 09, ISO 200, 45mm, 1/200 sec, F18.

Matt Kloskowski’s 300 Look - Strong: ISO 400, 67mm, 1/125 sec, F8.

Matt Kloskowski’s 300 Look - Strong: ISO 400, 67mm, 1/125 sec, F8.

Wonderland : Creative Catalyst 11, ISO 400, 24mm, 1/100 sec, F11.

Wonderland : Creative Catalyst 11, ISO 400, 24mm, 1/100 sec, F11.

Wonderland : Creative Catalyst 14, ISO 400, 24mm, 1/125 sec, F11.

Wonderland : Creative Catalyst 14, ISO 400, 24mm, 1/125 sec, F11.

Wonderland : Creative Catalyst 58, ISO 400, 32mm, 1/125 sec, F8.

Wonderland : Creative Catalyst 58, ISO 400, 32mm, 1/125 sec, F8.

Matt Kloskowski’s 'Sin City - Light Red' preset, ISO 400, 58mm, 1/125 sec, F16.

Matt Kloskowski’s 'Sin City - Light Red' preset, ISO 400, 58mm, 1/125 sec, F16.

There no wacky preset used for this. I guess I just like this frame :-) ISO 400, 24mm, 1/125 sec, F16.

There's no wacky preset used for this. I guess I just like this frame πŸ™‚ ISO 400, 24mm, 1/125 sec, F16.

Wonderland : Creative Catalyst 15, ISO 640, 200mm, 1/200 sec, F2.8.

Wonderland : Creative Catalyst 15, ISO 640, 200mm, 1/200 sec, F2.8.

Wonderland : Creative Catalyst 19, ISO 200, 50mm, 1/160 sec,  F18.

Wonderland : Creative Catalyst 19, ISO 200, 50mm, 1/160 sec, F18.

Wonderland : Creative Catalyst 30, ISO 200, 70mm, 1/1600 sec, F2.8.

Wonderland : Creative Catalyst 30, ISO 200, 70mm, 1/1600 sec, F2.8.

Wonderland : Creative Catalyst 19, ISO 200, 195mm, 1/200 sec, F5.

Wonderland : Creative Catalyst 19, ISO 200, 195mm, 1/200 sec, F5.

Wonderland : Creative Catalyst 29, ISO 200, 50mm, 1/1000 sec, F4.

Wonderland : Creative Catalyst 29, ISO 200, 50mm, 1/1000 sec, F4.

Wonderland : Creative Catalyst 26, ISO 200, 1650mm, 1/250 sec, F2.8.

Wonderland : Creative Catalyst 26, ISO 200, 1650mm, 1/250 sec, F2.8.

Wonderland : Creative Catalyst 29, ISO 200, 24mm, 1/1600 sec, F4.

Wonderland : Creative Catalyst 29, ISO 200, 24mm, 1/1600 sec, F4.

Wonderland : Creative Catalyst 32, ISO 200, 35mm, 1/1600 sec, F4. Added a blue gradient in Lightroom.

Wonderland : Creative Catalyst 32, ISO 200, 35mm, 1/1600 sec, F4. Added a blue gradient in Lightroom.

Wonderland : Creative Catalyst 51, ISO 1250, 105mm, 1/30 sec, F16.

Wonderland : Creative Catalyst 51, ISO 1250, 105mm, 1/30 sec, F16.

Wonderland : Creative Catalyst 51, ISO 800, 24mm, 1/125 sec, F8.

Wonderland : Creative Catalyst 51, ISO 800, 24mm, 1/125 sec, F8.

Wonderland : Creative Catalyst 51, ISO 200, 24mm, 1/125 sec, F8.

Wonderland : Creative Catalyst 51, ISO 200, 24mm, 1/125 sec, F8.

Wonderland : Creative Catalyst 19, ISO 200, 24mm, 1/1000 sec, F4.

Wonderland : Creative Catalyst 19, ISO 200, 24mm, 1/1000 sec, F4.

Wonderland : Creative Catalyst 19, ISO 200, 105mm, 1/500 sec, F4.

Wonderland : Creative Catalyst 19, ISO 200, 105mm, 1/500 sec, F4.

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Taking pub photos

As you may have read in my first post, a contributing reason of how I got into photography was through the disappointment in the quality of pictures we all took with point-and-shoot cameras in the pub. All the photos were crap and I really hate that daylight balanced flash to illuminate the subjects and that really dark background.

I didn’t get a flash gun when I purchased my Canon 40D in early November 2007. But I did get a 580EX II sometime later in 2008.

Working with flash is more challenging than you expect when you know nothing about flash. Shooting in a pub environment was one thing I wanted to get right. It took me quite a while to settle on a reliable formula (through trial and error)…

So… here it is… ISO 800, F5.6 (go smaller for groups like F8), 1/20 sec to 1/50 sec depending on the time of dayΒ and how much ambient background you want in the frame. Cloudy white balance to warm up the subjects (assuming the pub is filled with lots of warm colours). Bounce flash on-camera pointing towards the ceiling. Adjust the Flash Exposure Value (FEV) depending on how low or high the ceiling is. Be careful of the colour of the ceiling as the flash light may reflect the colour of it. If there is no suitable ceiling, use a wall (preferably white) to bounce the flash light off… below are a few examples…

Uses the formula as described at 20/sec shutter speed, 70mm.

Uses the formula as described at 1/20 sec shutter speed, 70mm.

Same singer, but caught her practicing. Taken at 20/sec, 24mm.

Same singer, but caught her practicing. Taken at 1/20 sec, 24mm.

Another of the same girl, except my buddy Graham is holding a flash gun with an optical slave hotshoe behind the singer. You can see the effect of the 2nd light source... same setting as the previous shot.

Another of the same girl, except my buddy Graham is holding a flash gun with an optical slave hotshoe behind the singer. You can see the effect of the 2nd light source... same setting as the previous shot.

This is Gemma Hindmarch. My buddy Graham placed the flash on a small shelf and pointed the flash upwards so the light ran up the wall and the top of the ceiling. This created a large light source around 8-10 feet away and I used my remote trigger (ST-E2). Picture taken at 20/sec at 200mm.

This is Gemma Hindmarch. My buddy Graham placed the flash on a small shelf and pointed the flash upwards so the light ran up the wall and the top of the ceiling. This created a large light source around 8-10 feet away and I used my remote trigger (ST-E2). Picture taken at 1/20 sec at 200mm.

Yip... uses the usual formula... shutter was 25/sec at 200mm.

Yip... uses the usual formula... shutter was 1/25 sec at 200mm.

Again... same technique works for groups! This was taken around xmas time...

Again... same technique works for groups! This was taken around xmas time...

Even at these slow shutter speeds and ISO 800, the detail and sharpness is good.

Even at these slow shutter speeds and ISO 800, the detail and sharpness is good.

Okay... there's no flash used here... but I like the mood of this pub image. Taken at F2.8, 50/sec, ISO800, 200mm. Even in a pub environment, there's plenty of opportunity to take shots without flash.

Okay... there's no flash used here... but I like the mood of this pub image. Taken at F2.8, 1/50 sec, ISO800, 200mm. Even in a pub environment, there's plenty of opportunity to take shots without flash.

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